The Larks and Ravens

So we worked together to explore a representation of ourselves, one to offer by way of introduction.

Our materials were paper, card and tape,

So why did I want to create a trumpet as mask?

To get the mouthpiece to cover my face would have meant a very long trumpet, I did try but got all my arithmetic wrong. Nevertheless a trumpet emerged and Alison photographed me trying to blow it.

Why? was I trying to say something about my need or inability to blow my own trumpet?  was it an attempt to present a way of being heard? or did it subconsciously connect to  metaphors of war, triumphalism and power?

Today I read about the wall of Jericho, a neolithic structure much later used in the story of Joshua in the bible to terrify the Cannanites. A story which resembles elements of the smoke and mirrors of our current politics. I went on to explore the work of Miles Davies, seminal musician whose music had profound influences through its rejection of the limitations of chords in favour of exploring the creative potential of atonality.

Seems that there are many possible metaphors that might inform ‘doing’ non-capitalism…………

Doing is nearly always rewarding but uncomfortable when someone asks you “what you are doing?” and you simply have no rational answer.

In the pouring rain…..

Photo by Mike Erskine

“Dreaming is simply thinking in a different biochemical state”

bit like art in my experience…

Searching for understanding about value we made a mistake. Just like any other animal we were seduced by the shiny stuff, coins.

Paying attention

How many times do we use this phrase?

The value is there in paying attention

Yesterday, the Larks and Ravens visited The Royal Mint where UK money is made.

It left us with more questions than answers in our attempt to unravel value..

The “friendly entrance” to the Visitor Centre suggests someone’s keen to protect something valuable in here…

Then there’s a shop selling money. What is this £5 coin worth? … oh … £1980  if I buy it… but still only £5 if I spend it…

“However, please note that whilst the coins are legal tender, banks are not obliged to accept the coins” So, this is “legal tender” that banks (“I promise to pay the bearer” etc aren’t obliged to accept? Can I buy a pint at the pub with it? Would it taste different from a pint bought with a  normal £5?

Magpies being attracted to shiny objects is a myth but what about humans?  “The background surface or field areas of proof coins are highly-polished, shiny and mirror-like. In fact, when you stand back and look at a proof, you’ll see your reflection on its surface.”

Digital money might be more straightforward in value exchange terms- you can’t buy a debit card and £5 spent via a card is always £5….. well at least I think so…

But, at The Royal Mint, where making money is indeed making money, asking when coins might finally be phased out is greeted as a sacrilegious question…

When the marks on the wall have all gone, what marks remain?

We come away from the 6 weeks marked – marked by what we’ve drawn, by what others have drawn and the conversations and contributions exchanged.

Thank you Newport Market.

What’s next?

Six weeks

of

experimenting, inviting and receiving conversations, responses, working with and alongside strangers, creating a focus

then

what’s next?

“You will of course paint it over ”

“that one is cool, leave it”

energy came, went and came again as the white undercoat swept across three

weeks of attention and some exceptional moments of human connection, but leaving one small area framed is enough to show

value

from six weeks of exchanging energy and attention

So when does a pile of old shellac 78rpm records become rubbish/ lose value?

The records are heavy, not just to lift, carry or store but with histories, that is what a record is.

So are the marks left behind on the market walls, offered not just by us but by the people who come and question ‘what are you doing?’ or offer up their own energy and insights

exploring value

So today the three of us prepared a grid to enlarge an image of a £10 note.

For some reason after painting small red circles I became involved in Jane herself, my highlight was the exchange of looking with the delightful Sandy who works on the stall opposite our site and who plies us with cake and tea. But today it  was the gift of looking that absolutely took my breadth away. Rarely have I had the privilege of working so intensely with a comparative stranger.

It was inspirational.